Now I will roast with blue ears for the entire next twenty days. ;_;
Good: Post-surgery Kyo can still clearly navigate his falsetto ranges like former Kyo. A sigh of relief can now be breathed.
Possibly bad: I'm really hoping it's low quality issues that's causing the drums to sound like that and not, you know, Tue Madsen's mastering, because this does NOT sound like it came from the same hand that mixed DSS and Uroboros R&E.
Lastly...Kyo. MMFMMMFFFWAHAHAHAHA HA MY GOD, KYO. Put your hat back on.
Friday, November 30, 2012
Thursday, November 29, 2012
334. Rarity defines value
Do people really think eclipses are more spectacular than sunsets just because the latter is a daily occurrence? Get the fuck out.
Wednesday, November 28, 2012
Tuesday, November 27, 2012
332. Three colors
Why did I dabble with lines and cell shading again? ...Oh right, fanart. Let's get back to the approach that actually works for me, now.
Monday, November 26, 2012
Sunday, November 25, 2012
330. Another day of warring with the tablet
and with nothing to show at the end. I've almost gotten the hang of beating that defeatist attitude, but consistent struggling is hard.
I found an undubbed version of Symphony of the Night, started replaying, and all I want to do is drown in Okiayu's voice.
I found an undubbed version of Symphony of the Night, started replaying, and all I want to do is drown in Okiayu's voice.
Saturday, November 24, 2012
329. What is water
How do you describe the phenomenon of wet-ness? Compared to solid and gas, liquid is a fearsome phase of matter.
Adhesion, cohesion. How disturbingly do these properties meld into assumed territory of real-life fact? Every time you draw your hand through, those intermolecular bonds are weak enough to leave shapeless masses of their brethren, abandoned or trapped behind, attached to the surface they touch. Buoyancy and liquid pressure are expected if you are the one submerged under their territory, but what lends to the careless invasion of their abandoned soldiers onto a hand merely passing through?
Like dissolves like.
Adhesion, cohesion. How disturbingly do these properties meld into assumed territory of real-life fact? Every time you draw your hand through, those intermolecular bonds are weak enough to leave shapeless masses of their brethren, abandoned or trapped behind, attached to the surface they touch. Buoyancy and liquid pressure are expected if you are the one submerged under their territory, but what lends to the careless invasion of their abandoned soldiers onto a hand merely passing through?
Like dissolves like.
Friday, November 23, 2012
328. Comparison
Now I'm curious about the mechanics of exactly how MMD motion capture works. Or, rather, whether the original creator of the second vid recreated the dance in the first from scratch.
Wednesday, November 21, 2012
326. Molasses
Busy being stuck thanks to the roadblock known as FUCK I NEED A BETTER ANIMATION PROGRAM THAN WINDOWS MOVIE MAKER FFFFFFFF. Just this tedious process of hunting alone is killing my enthusiasm faster than I can say ADHD.
It really bothers me that I'm starting one project after another with much excitement, but... I can barely even finish this sentence to express the idea, see?
Why can't I do more?
It really bothers me that I'm starting one project after another with much excitement, but... I can barely even finish this sentence to express the idea, see?
Why can't I do more?
Tuesday, November 20, 2012
325. The next grand fucking project
First exposed to this song through MMD Saga & Kanon...and realized suddenly later that this is a really catchy song. Randomly decided to look up the lyrics today and realized HOLY FUCKING SHIT IS THAT UNDERAGE SEX COMING OUT OF MIKU'S INNOCENT MOUTH??!?!
I think I'm going to take my first baby-step into video-making by using this as a mold...all in the name of cinematic learning, of course.
Watch the fuck out, world. I might even disappear for a while.
Monday, November 19, 2012
324. Happy birthday, Okiayu-san
Other roles not depicted (due to Jing having never watched) but possibly more famous/recognizable: Byakuya from Bleach, Scar from FMA, Kaku from One Piece, Tezuka from Prince of Tennis, etc. etc.
The last drawing was meant to be finished by today, but...didn't happen, as usual. Hopefully soon, though, due to the sheer amount of condensed love all gathered on one canvas. No fucking pressure.
I'm seriously considering quitting facebook.
Love thicker than blood.
The last drawing was meant to be finished by today, but...didn't happen, as usual. Hopefully soon, though, due to the sheer amount of condensed love all gathered on one canvas. No fucking pressure.
I'm seriously considering quitting facebook.
Love thicker than blood.
Sunday, November 18, 2012
Saturday, November 17, 2012
322. On twins
"You" and "I" are depressing terms. They are concepts that prove even the most intimate people cannot see or feel as one, for he is not you.
When they were very young, Kanon was unable to tell himself apart from Saga and never would use those words. If little Saga tripped and skinned a kneecap, little Kanon would cry on the side: "Kanon hurt." If little Kanon had homework he could not do, he would chew on his pencil with knitted brows and say, "Saga can't figure this out." Shion tried to correct him several times, but never with good result. Stubbornly, Kanon felt that Saga and he were the same person, no matter who was hurt or whose name was used. Saga did not mind at that time, and even liked it. Having a companion through pain and bliss was not bad.
Slowly, they grew to their teens. Saga's reaction to Kanon's confusion steadily elevated into irritation. He grew to love independence in living and abhorred the concept of a shared life. He began to distance himself from Kanon, training alone, going out alone, and never calling Kanon along to join whatever he was doing. And Kanon, when he couldn't find Saga, would throw a fit that shook not only the foundations of the Gemini House, but that of the entire Sanctuary.
Driven to distress, Saga asked: "What makes you think we are the same person? We're clearly not."
Kanon stared back with blank eyes.
Saga tried to smile and continued: "If I trip and fall, you don't actually feel it, you know?"
"I do," Kanon insisted.
"You do not," Saga steeled his voice. "You're hysteric. You want to believe so much that we are one that you pretend you feel it. It's a mental illness."
He watched as something shattered in Kanon's stunned eyes. A moment of hesitation passed, but he grit his teeth and continued: "Here's a number for a therapist. You should be seen."
With these words out, he turned and left. Kanon's pain was so thick and sharp in the air that he almost doubled back, to almost tell him that that was all just a joke. But he ruthlessly suppressed the desire and did not look back.
Behind him came the fearsome blast of an explosion, followed by the rumbling of stone columns collapsing.
Saga sighed. Of course, it's impossible to get rid of this life-sharing child. Why could he not understand? Each person was an individual who held his own stance, beliefs, and reason. It was impossible for two people to share the exact same consciousness.
From that day on, Kanon drew a clear line of division between the two. He never followed Saga again. They still lived in the same House, but the dynamic between had turned to animosity.
---- Excerpt from 惹是生非 by 寸寸, translated by yours truly.
Yes yes, I've turned to fanfics now that I've exhausted any supply of fanart. But the above hit a nerve that finally confirmed my longtime suspicions that I actually, really, have a twins-fixation. Not the real life variety of whom I have all-too-much exposure (cough), but the idealized version found in fiction. As early as when I first started rounding up books to trade with that person half a year ago (already?), I noticed that both of my top choices involved twins as major devices: Esta and Rahel; Magid and Millat. Part of me wondered, then and there, what kind of vibe that might send a stranger about me.
And now, finally, somehow, it would happen that a fanfic out of all things should be what pieces everything together:
I'm not into "twins" or twincest.
I'm not lonely for company.
I'm not even all that curious about reality outside of the limited perception of my "car."
What I am is I'm in wild desperation of the fact that I am alone in my consciousness. No matter how close I get to someone, the barrier of words/of skin/of non-intersectable space permanently blocks me, mentally and physically. This body is the prison that puts me under house arrest, isolated from the universe. This body is the barrier that limits my existence (confirmed in the eyes of others) to what I perform. The 90% of me that lies underneath, undetectable by performance, is apparently inconsequential. It is the lament of that 90% that surfaces as occasional pangs too-often mistaken for simple lonesome longings, or curiosity for potential freedom outside of this body.
Mythical, fictional twins always seem to at least somewhat address this issue.
Or it's all just a subconscious excuse for a rationalization of why I sport such a giant boner for myself.
When they were very young, Kanon was unable to tell himself apart from Saga and never would use those words. If little Saga tripped and skinned a kneecap, little Kanon would cry on the side: "Kanon hurt." If little Kanon had homework he could not do, he would chew on his pencil with knitted brows and say, "Saga can't figure this out." Shion tried to correct him several times, but never with good result. Stubbornly, Kanon felt that Saga and he were the same person, no matter who was hurt or whose name was used. Saga did not mind at that time, and even liked it. Having a companion through pain and bliss was not bad.
Slowly, they grew to their teens. Saga's reaction to Kanon's confusion steadily elevated into irritation. He grew to love independence in living and abhorred the concept of a shared life. He began to distance himself from Kanon, training alone, going out alone, and never calling Kanon along to join whatever he was doing. And Kanon, when he couldn't find Saga, would throw a fit that shook not only the foundations of the Gemini House, but that of the entire Sanctuary.
Driven to distress, Saga asked: "What makes you think we are the same person? We're clearly not."
Kanon stared back with blank eyes.
Saga tried to smile and continued: "If I trip and fall, you don't actually feel it, you know?"
"I do," Kanon insisted.
"You do not," Saga steeled his voice. "You're hysteric. You want to believe so much that we are one that you pretend you feel it. It's a mental illness."
He watched as something shattered in Kanon's stunned eyes. A moment of hesitation passed, but he grit his teeth and continued: "Here's a number for a therapist. You should be seen."
With these words out, he turned and left. Kanon's pain was so thick and sharp in the air that he almost doubled back, to almost tell him that that was all just a joke. But he ruthlessly suppressed the desire and did not look back.
Behind him came the fearsome blast of an explosion, followed by the rumbling of stone columns collapsing.
Saga sighed. Of course, it's impossible to get rid of this life-sharing child. Why could he not understand? Each person was an individual who held his own stance, beliefs, and reason. It was impossible for two people to share the exact same consciousness.
From that day on, Kanon drew a clear line of division between the two. He never followed Saga again. They still lived in the same House, but the dynamic between had turned to animosity.
---- Excerpt from 惹是生非 by 寸寸, translated by yours truly.
Yes yes, I've turned to fanfics now that I've exhausted any supply of fanart. But the above hit a nerve that finally confirmed my longtime suspicions that I actually, really, have a twins-fixation. Not the real life variety of whom I have all-too-much exposure (cough), but the idealized version found in fiction. As early as when I first started rounding up books to trade with that person half a year ago (already?), I noticed that both of my top choices involved twins as major devices: Esta and Rahel; Magid and Millat. Part of me wondered, then and there, what kind of vibe that might send a stranger about me.
And now, finally, somehow, it would happen that a fanfic out of all things should be what pieces everything together:
I'm not into "twins" or twincest.
I'm not lonely for company.
I'm not even all that curious about reality outside of the limited perception of my "car."
What I am is I'm in wild desperation of the fact that I am alone in my consciousness. No matter how close I get to someone, the barrier of words/of skin/of non-intersectable space permanently blocks me, mentally and physically. This body is the prison that puts me under house arrest, isolated from the universe. This body is the barrier that limits my existence (confirmed in the eyes of others) to what I perform. The 90% of me that lies underneath, undetectable by performance, is apparently inconsequential. It is the lament of that 90% that surfaces as occasional pangs too-often mistaken for simple lonesome longings, or curiosity for potential freedom outside of this body.
Mythical, fictional twins always seem to at least somewhat address this issue.
Or it's all just a subconscious excuse for a rationalization of why I sport such a giant boner for myself.
Labels:
rant and ramble,
Saint Seiya,
the twins,
translation
Friday, November 16, 2012
Thursday, November 15, 2012
Wednesday, November 14, 2012
Tuesday, November 13, 2012
Monday, November 12, 2012
317. What measure is a non-keyframe?
Possibly the worst loss I've ever suffered in a game of YLYL. Don't have words for how thoroughly that Shaka there destroys me, EVERY SINGLE TIME. Edgeworth-Mu is a close second.
Same people:
Minus the last two because they don't really matter.
Same people:
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